High in Germany (Prussian) between Cologne and Frankfurt, then, from 1919, Belgium Ubac studied lathénée Royal malmedy jusquen 1928. It is part at the Sorbonne in Paris and made contact with the surrealists including Camille Bryen and dotto freundlich and met André Breton. On the island of Hvar lincitent to unsubscribe to school darts applied cologne. Raoul Ubac then experimenting with new photographic techniques: the burning process, solarization and petrification, which he exhibited in Paris in 1933. Under the name of Raoul Michelet and in collaboration with Camille Bryen, he published two collections of poems and photographs .
He rubs Hans Bellmer, victor brauner, benjamin péret and Raoul Hausmann, the involved. First Surrealist exhibition in Belgium, organized by the break group.
From 1936, he worked on a series of photographs around. Quil publish partly in the journal. By combining multiple processes: negative association, overprinting and solarisation, superposition or shift of negative and positive, which gives an impression of petrification, blowing, smoking, burning or fogging of the plate. Ubac learns engraving in the workshop stanley hayter and exposes some photography in January 1938 at the. In 1940, Raoul Ubac founded with René magritte magazine.
Who will know only two issues to which André Breton participeoriont Achilles Chavée, Fernand Dumont, Marcel lefrancq, another surrealist photographer, irene hamoir, Marcel Lecomte, Marcel Marien and louis scutenaire. At the beginning of the Second World War, and Raoul Ubac agui in the company of magritte, Scutenaire and dirène hamoir, leaving Brussels and Paris to Carcassonne (Aude) remains where Joe Bousquet. In 1941, Raoul Ubac returns to Brussels where he presented a photography exhibition whose catalog is prefaced by Paul Nougé. The gallery is closed on the orders of the occupants.Having met the poet Jean Lescure who directs, he actively contributed to the magazine. Where he met Eluard, André Frénaud raymond queneau and who will continue his work daccompagner friendly. The latter introduced him Jean Bazaine and other non-figurative painter. From 1951, the Maeght gallery regularly exhibits loved his gouaches and paintings, prefaced by André Frénaud, george Limburger, esteban claude or Yves Bonnefoy. Ubac will simultaneously cease to burn slates that become as reliefs which he introduced in 1955 fragments in his paintings. He acquired in 1958 a house in dieudonne where he set two workshops for painting and sculpture. In the 1960s, his paintings on panels covered with amalgamated resins, achieve a synthesis and development, the themes and plowing furrows, bodies and torsos, double work that he continued until his death. In 1968 a retrospective of his work is presented in Brussels and dart modern museum paris. The national grand prize of the arts. The item \The seller is the \This article can be shipped worldwide.